Camera Hire News (Blog)

Posted on December 15, 2014 by bevandally

Capture 4K Video with GoPro HERO4 Black

Just in time for summer, the GoPro HERO4 Black has arrived at Camera Hire.

The most advanced GoPro ever, the HERO4 Black can capture 4K at 30 fps (4K30), 2.7K at up to 50 fps, Full HD (1080p) at up to 120 fps for high definition slow motion and WVGA (848 x 480) for upload-friendly files.

The HERO4 Black can also take 12-megapixel still images in intervals for stitching together time-lapse movies, or in momentary bursts of up to 30 photos per second.

It’s also equipped with Wi-Fi and Bluetooth connectivity, allowing you to pair it with a mobile device or the separately available Smart Remote. There is also a USB port for file transfer, charging, or to connect the optional 3.5mm mic adapter.

Standard housing is included, and not only keeps the camera dry, it adds an extra layer of protection. In addition to the bundled flat and adhesive mounts, the camera is also adaptable to a wide range of separately available mounts from GoPro and third-parties – with options to accommodate just about any scenario imaginable.

Features include:

Supports 4K30, 2.7K50, and 1080p Video
Capture 12MP Photos at 30 fps
Ultra Wide Angle Glass Lens + SuperView
Camera Housing Waterproof to 131′
Wi-Fi and Bluetooth Connectivity
Interval Capture for Time Lapse
Protune Mode for Video and Photo
One-Button Operation with QuikCapture
Auto Low Light and Night Photo Modes
Flat and Curved Adhesive Mounts Included

Posted on December 8, 2014 by bevandally

Sony PXW-FS7 Cameras have Arrived

The PXW-FS7, Sony’s new 4k Super 35mm camcorder, has arrived at Camera Hire.

An ultra-mobile video camera, the FS7 has an ergonomic grip design for easy handling and operation, making it an ideal fit for shooting solo or in situations where flexibility is required.

Featuring a 4k Super 35mm Exmor CMOS sensor, with approximately 11.6 million total pixels (4352 x 2662) and 8.9 million effective pixels, the high image readout speed allows the Sony PXW-FS7 to support 4K motion-picture shooting and super slow-motion

Key features of the PXW-FS7:

Sony’s Super 35 Exmor CMOS Sensor
Native E-Mount; Compatible with A-Mount lenses (LA-EA4 A-mount lens adaptor required), 18mm flange back distance
On-board UHD 4K (3840 x 2160) and Full HD (1920 x 1080) recording
Wide choice of recording systems
XAVC (Intra/Long GOP)
MPEG HD, 4:2:2, 50 Mbps (HD only)
Apple ProRes codec (with future upgrade and extension unit, sold separately)
RAW recording (with extension unit and outboard recorder, sold separately)
Slow & Quick Motion for over-and under-cranking
Dual XQD card slots
16-bit analog-to-digital converter
ISO 2000
Supports S-Gamut3Cine/S-Log 3 encoding
Die-cast magnesium frame
Environmentally sealed electronics
Wireless operation with CBK-WA100, sold separately
GPS

Sony Unveils New PXW-FS7 Compact 4K XDCAM Camera with a Super 35 CMOS sensor

Optimized for Long-form with XAVC-L Recording, Native E-Mount Lens Flexibility, High Speed XQD Media and a Comfortable, Robust Design

Park Ridge, NJ – Sony’s newest addition to its large sensor line is a complete camera system that delivers long-form recording capabilities with 4K resolution in a compact, hand-held design.

The new PXW-FS7 XDCAM Super 35 camcorder combines the flexibility of native E-mount technology, the recording efficiency of the XAVC-L codec, the transfer speed and intelligence of XQD memory cards and comfortable, handheld ergonomics — including a new “Smart Grip.”

The new camcorder is designed for a range of long-form shooting and production applications, from “cinéma vérité”-style documentaries and reality TV to magazine shows, commercial and corporate applications.

Native E-Mount, A-Mount Lens Compatibility

The PXW-FS7 is a native E-mount camcorder designed to give users maximum lens options and flexibility, smooth and silent iris, focus and zoom control, with auto exposure and SteadyShot stabilisation. An extremely shallow, 18mm flange-back distance enables the use of a range of 35mm lenses. Sony’s optional LA-EA4 A-mount lens adaptor allows compatibility with a wide range of high-quality A-mount lenses.

The new E-mount lens is the world’s first 35mm full-frame interchangeable power zoom lens. It features constant F4 value, independent rings for iris, zoom and focus control, and is dust- and moisture-resistant. The SELP28135G has SteadyShot stabilisation, minimum focus breathing and is enabled with Sony’s new Super Sonic wave Motor (SSM) to reduce zoom noise while shooting.

The PXW-FS7 is compatible with Sony´s new XAVC Intra and XAVC Long GOP formats, each supporting 10-bit 4:2:2 recording (XAVC-I, 180fps; XAVC-L, 120fps). Recording in UHD (3840 x 2160) resolution, slow motion up to 60fps and Full High Definition (1920×1080) with 60/50 progressive frames is possible.

A firmware update in early 2015 will enable native HD recording in the Apple ProRes HQ 422 codec, when using an optional extension unit (XDCA-FS7). Through the XDCA-FS7’s FS-RAW interface, the PXW-FS7 is capable of 4K/2K RAW recording with Sony’s HXR-IFR5 and AXS-R5, or with a compatible third-party external recorder.

XQD Card Compatible

The PXW-FS7 features 2 XQD card slots that support simultaneous recording and relay recording. To support the FS7’s Slow and Quick motion and internal 4K recording, a new 128 GB XQD G series with ultra-high speed transfer up to 440MB/s (read) and 350MB/s (write) has been developed. XQD cards are also available in 64 and 32GB capacities.

The camera includes a low-pass video filter, progressive pixel reading and advanced camera processing to give users a broad span of creative treatments and options such as high speed recording, high resolution and high sensitivity, with less aliasing and less rolling shutter. The camera’s 4 built-in ND filters allow full exposure control in a range of lighting conditions, without requiring external ND filter equipment. S-Gamut3/SLog3 & S-Gamut3.Cine/SLog3 are supported for flexibility of post-production options.

11.6 Million Pixel Super35 Exmor CMOS

The camera’s 11.6 million pixel Super35 Exmor CMOS sensor delivers enhanced sensitivity, shallow depth of field, a high signal-to-noise ratio for fantastic low light performance. The new camera is designed to provide a range of creative shot options. It can be used hand-held, and is also designed for balanced shoulder-mount use without the need for additional rigs. The flexible viewfinder mounting system lets users easily relocate it for changing shooting positions.

The supplied Smart Grip provides easy access to key camera functions including focus magnification; the user menu; REC start/ stop; and zoom. Its assignable wheel allows control of Iris, Focus, Audio Level and Gain.

The camera’s image sensor and signal processor are contained in an environmentally sealed chamber. Heat is directed to an external radiator with a fan for active cooling.

Posted on November 26, 2014November 26, 2014 by bevandally

Repacking the DJI Ronin

We’ve had a huge amount of interest in the DJI Ronin Gymbal Stabiliser ever since we got our hands on it and so far the reception has been fantastic, with the exception of one thing: the case it comes in weighs a ton!

The Ronin itself is only 4.2kg, with a load capacity of 7.25kg, but when packed up in its super-heavy-duty hard case it tips the scales at around 25kg — a fact that has earned us the ire of many a courier!

So we decided to repack it.

Now a decidedly delicate 12.5kg, but still nestled away in a hard, protective case, we can easily send the Ronin to you via courier or post — and you can get it in and out of your shoot locations without any hassles.

The DJI Ronin Gymbal Stabiliser is available for hire or purchase at Camera Hire. Now in a lightweight package.

Posted on November 20, 2014January 6, 2015 by Michaela Skovranova

Aquatech Underwater Housing used for Fiji Shoot

Sydney-based photographer and videographer Michaela Skovranova recently hired an underwater and location kit for a two week shoot in Fiji. The shoot locations included the famous Cloudbreak, the jungles of Taveuni and various waterfalls scattered across the islands. We spoke to Michaela when she got back to find out how the shoot went.

Michaela Skovranova / Mishku on location in Fiji with one of our Aquatech Underwater Housings

Photographer: Michaela Skovranova

Location: Fiji

Client:

This Island Life for Fiji Airways

Equipment:

“I was recently booked for a shoot in Fiji where I was shooting for THIS ISLAND LIFE, a fashion, travel and lifestyle blog that follows summer around the world. I was capturing both stills and video in a variety of situations, so I needed a lot of equipment, but at the same time needed to travel light, as we were island hopping every few days.”

“Shooting both in and out of the water was a crucial part of the brief, so I needed an underwater housing for my 5D Mark III that was both compact and versatile. With our main mode of transportation being by water, the housing quickly became the most important piece of equipment in my kit. Whether I was shooting an island from the back of a jet ski, a bikini from inside a waterfall or a huge swell from a tiny boat, I was able to capture the action above and below the waterline.”

“There aren’t many places that hire underwater housings, so it was great to be able to get all the equipment from one place. The kit I hired from Camera Hire included a rig, a variety of lenses, an audio solution and an Aquatech Underwater Housing for my 5D Mark III.”

“Even though I hadn’t shot with the Aquatech before, it was nice and easy to set up — just make sure you have the correct ports to fit your lenses. I went for a dome port which allowed me to do both over and under shots, while allowing room for an ND filter when I needed to capture video.”

“A handy tip is to set up custom functions in the camera before using the housing. This means you can change camera settings while the camera remains inside the housing. Because I was shooting all day, I had to perform several battery swaps while on water — thankfully this wasn’t too difficult!”

“The underwater housing was also light enough for me to swim and free dive for hours on end, while sturdy enough to scale a few waterfalls, too.”

Posted on November 13, 2014November 13, 2014 by bevandally

DJI Ronin Sales

As some of you may have noticed recently, we have expanded our operations into retail – Camera Hire are now authorised Australian resellers for a number of the best products and brands. We’ve focused our attention specifically towards high quality items that cater to the working professional within a range of media based industries, and doing so at a competitive price.

One product that deserves particular mention is the DJI Ronin – the latest incarnation of the handheld gimbal technology that brought incredible visual capabilities to creatives at a price point once unimaginable. We have multiple Ronin’s in stock for rental and purchase, it’s been great to see the clever ways in which clients have been putting the Ronin to work.

We’re proud to be stocking the DJI Ronin for both hire and sale.

Posted on November 10, 2014 by bevandally

New Canon EOS 7D Mark II Cameras in Stock

This week Camera Hire is excited to welcome the brand new Canon EOS 7D Mark II DSLR.

With its APS-C-sized 20.2MP CMOS sensor, dual DIGIC 6 image processors, and a top continuous shooting rate of 10 fps, the 7D Mark II performs in a range of challenging situations. The combination of the dual image processors along with the CMOS sensor also contribute to enhanced low-light sensitivity to a native ISO 16000, which is further expandable to ISO 51200. Complementing the 7D Mark II’s still imaging assets, support for recording full HD 1080p video is available, in multiple frame rates up to 60 fps.

From Canon:

Fuel Your Creative Passion With The Highly Anticipated Canon EOS 7D Mark II Digital SLR Camera

New EOS 7D Mark II Camera Provides Captivating Creative Power at an Affordable Price

MELVILLE, NY: Canon, a leader in digital imaging solutions, is proud to introduce the EOS 7D Mark II Digital SLR camera, incorporating professional features and quality in an affordable DSLR. Building upon the proven success of the EOS 7D camera, this new EOS model features a range of “EOS firsts” such as Dual DIGIC 6 Image Processors for superb image quality and rapid burst shooting up to 10 frames per second (fps), as well as Canon’s first 65-Point* All Cross Type autofocus (AF) system for compositional freedom and accurate, spot-on fast focus. Great for shooting indoor activities such as sporting events, concerts, or weddings, the camera’s impressive low-light shooting capabilities along with its up-to-10 fps high-speed shooting can capture a fast-break basketball dunk, a band’s encore performance, a bird in flight or wildlife in exceptional quality. In addition, the EOS 7D Mark II is the second EOS DSLR camera to incorporate Canon’s innovative Dual Pixel CMOS AF system for rapid and precise focusing of video as well as still images.

“With more processing power than any other EOS camera available today, the highly anticipated EOS 7D Mark II camera has everything serious photographers have come to expect from Canon’s DSLRs and more,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “And, recognising that for some, creative expression may expand beyond still photography, we continue to support these creative passions by offering new and innovative Full HD video capabilities, such as second generation Dual Pixel CMOS AF technology in the EOS 7D Mark II camera as well.”

Outstanding Performance

Within the camera’s durable magnesium alloy body resides a newly developed 20.2 megapixel APS-C Canon CMOS sensor and Dual DIGIC 6 Image Processors, safeguarded by enhanced dust and weather resistance to protect the camera. Ideal for shooting in challenging lighting conditions ranging from indoor sports to dimly lit weddings, the camera features a standard ISO range of 100-16000 for both still and video (expandable to ISO 51,600). A new 65-point* All Cross-Type AF system with EV -3 sensitivity at the centre point helps deliver sharp focus for still photos even in extreme low-light conditions on subjects with limited visible detail. The EOS 7D Mark II camera also features an enhanced version of Canon’s EOS iTR (Intelligent Tracking and Recognition) AF, originally introduced with the EOS-1D X DSLR camera, enabling the camera to recognise subjects based on face and colour detection utilising the new AE system, and can track subjects using all 65 AF points.

The camera’s improved EOS Scene Detection system features a new 150,000-pixel RGB+IR 252-zone metering sensor for enhanced precision. The wide-area 65-point AF array combined with EOS iTR and adjustable high-speed continuous burst shooting up to 10 fps enables the easy tracking and capturing of fast moving subjects virtually anywhere in the frame such as birds in flight or running backs eluding a tackle. A new and innovative AF Area Selection Lever nestled around the multi-controller on the back of the camera makes it easier than ever for photographers to switch between the seven supplied AF Point Selection modes without removing their eye from the viewfinder.

At 10 fps, the camera’s buffer capacity can consecutively capture up to 31 RAW images or 1,090 Large Fine JPEGs. Built to last, the camera also features a shutter durability rating up to 200,000 cycles, approximately thirty three percent more than the original EOS 7D camera. A newly developed mirror mechanism uses motorised control to help reduce impact and enhance camera performance during high-speed continuous shooting. In addition to adjustable high- and low-speed continuous shooting modes, single-frame shooting and two self-timer settings, the EOS 7D Mark II camera also features silent drive modes for single frame and continuous shooting. The silent settings support discreet camera operation in quiet locations.

The EOS 7D Mark II camera’s advanced AE system can detect and compensate for flickering light sources such as sodium vapour lamps that are often used in gymnasiums and indoor swimming pools. When enabled, this system automatically adjusts shutter release timing to help reduce disparities in exposure and colour especially during continuous shooting.

Innovative AF Technology

The EOS 7D Mark II camera features the next generation of Canon’s exclusive Dual Pixel CMOS AF (DAF) technology, originally introduced with the EOS 70D DSLR camera. New DAF features include user-selectable adjustments for Movie Servo AF Speed and Movie Servo AF Tracking Sensitivity. Additionally, overall focusing speed, face detection performance, and performance in low light and with low-contrast subjects have been improved over previous Canon models. Dual Pixel CMOS AF employs proprietary Canon sensor technology in which effective pixels are able to perform both imaging and phase-detection focus measurement simultaneously to achieve dramatically improved AF performance in both video and Live View still imaging modes.

With Canon’s Dual Pixel CMOS AF system and customisable Movie Servo AF, the camera provides continuous phase-detection AF during video recording for quick and accurate focus tracking of moving subjects over approximately eighty of the image area measured horizontally and vertically. DAF focusing modes include Face Detection with Tracking, FlexiZone Multi with 31 AF zones, and FlexiZone Single that allows users to position a focusing frame on the camera’s LCD screen. Canon’s DAF supports over 100 models of Canon EF lenses (including many earlier models), providing a wide array of options for photographers to explore.

Expanding Creativity

The EOS 7D Mark II Digital SLR camera provides a wealth of creative controls building on the features and functions of the EOS 5D Mark III and EOS-1D X professional digital cameras. The new camera’s AI Servo AF III autofocusing algorithm is similar to that of the EOS-1D X camera in that tracking parameters (tracking sensitivity, acceleration/deceleration tracking, and AF point auto switching) can be easily customised for specific shooting situations, using the same type of AF Configuration Menu. This capability makes it easy for EOS 7D Mark II camera users to match AI Servo AF settings when used together with EOS-1D X and EOS 5D Mark III cameras, while also providing a high level of performance at an affordable price point.

The EOS 7D Mark II camera also offers the same level of High Dynamic Range (HDR) and Multiple Exposure (ME) functionality that was originally featured in the EOS 5D Mark III camera. The HDR mode includes five HDR shooting functions and allows users to save all source images in addition to the composited HDR image. Similarly, Multiple Exposure mode provides four compositing methods and also allows users to save individual source images.

Photographers and cinematographers will appreciate improved custom controls including a built-in intervalometer and bulb timer, also EOS DSLR firsts, to enable the capture of time-lapse images and long- exposure images. These features are ideal for recording fireworks, star trails, sunrises and more.

In addition to optional settings for Peripheral Illumination Correction and Chromatic Aberration Correction, found in other current high-end EOS models, the EOS 7D Mark II camera, for the first time, adds Distortion Correction that operates with most EF and EF-S lenses to improve image quality even further while recording video and in-camera JPEGs. The My Menu feature has also been improved with the ability to store more user-selected settings in five additional tabs.

A new and improved Intelligent Viewfinder provides approximately one hundred percent field of view, while adding the ability to superimpose a customisable selection of camera settings data such as dual-mode electronic level display, grid, exposure mode, white balance mode and AF mode. A bright, three-inch Clear View II LCD monitor (approximately 1,040,000 dots) on the back of the camera displays information and menus clearly even in bright sunlight. The EOS 7D Mark II camera is compatible with interchangeable focusing screens including the standard Eh-A as well as the optional Eh-S Super Precision Matte for use during manual focusing with large aperture lenses.

A built-in GPS Receiver provides a digital compass and can record location information including longitude, latitude, elevation, camera direction and universal coordinated time (UTC) as EXIF data for geotagging both images and movie files in real time. The built-in pop-up flash is convenient for many applications and can also act as an optical controller with compatible off-camera EX-series Speedlites for enhanced pro-quality lighting effects.

The EOS 7D Mark II camera features dual card slots for SD/SDHC/SDXC and CF memory cards, including Ultra High Speed (UHS-1) SD cards. Data transfer speeds from the camera to a personal computer are enhanced with the addition of a SuperSpeed USB 3.0 port.

Stunning Movie Capability

The EOS 7D Mark II camera offers users the ability to shoot in 1080p Full HD or 720p HD video up to 60p enabling slow-motion capture at full resolution in either ALL-I or IPB codecs with optional embedded time code, exceeding the specifications of other current EOS cameras. Users can also choose between .MOV and .MP4 recording formats for maximum flexibility. The EOS 7D Mark II camera’s mini HDMI port can be used to record uncompressed Full HD video to external recorders.

Canon’s Stepping Motor (STM) lenses, such as the EF-S 18-135mm f/3.5-5.6 IS STM lens, significantly reduce focus motor noise, letting the EOS 7D Mark II camera’s built-in microphone capture clear audio of the scene being shot without picking up unwanted noise from the lens. The EOS 7 D Mark II camera also features a stereo microphone port and outputs stereo audio via the camera’s mini-HDMI port. The EOS 7D Mark II Digital SLR camera is equipped with a headphone jack for real-time audio monitoring, as well as a silent control feature that allows users to adjust audio levels during recordings. Other built-in ports include a PC socket for external flash units and an N3 socket for dedicated Canon wired remote control accessories. A cable protector is provided to maximise safety when using the USB 3.0 and mini-HDMI ports.

Posted on April 9, 2014June 14, 2014 by bevandally

New Releases

Newly Released Equipment Available

It’s been an exciting couple of weeks in terms of new video camera releases. In the wake of NAB, the annual video trade show Blackmagic have announced a range of new cameras, RED have released the Dragon sensor update in a Scarlet body, amongst others. Keep an eye out over the coming months for some exciting new additions to the Camera Hire video range. Never before have we seen so many companies producing cameras capable of high end production at a relatively affordable price point, high frame rates and uncompressed recording were solely the domain of large productions with budgets to suit.

Below are the two Blackmagic press releases, outlining the URSA production camera and Studio camera releases.

Introducing the world’s first digital film camera designed to revolutionize on set workflow while featuring a user upgradable sensor and lens mount, large 10 inch fold out monitor and more!

NAB 2014, Las Vegas, USA – April 7, 2014 – Blackmagic Design today announced Blackmagic URSA, a new high end digital film camera designed to revolutionize workflow on set. Built to handle the ergonomics of large film crews as well as single person use, URSA has multiple accessories built in, including a massive 10 inch fold out on set monitor, large user upgradable Super 35 global shutter 4K image sensor and internal dual RAW and Apple ProRes recorders.

Because the sensor and lens mount assembly can be changed, customers can choose EF or PL lens mounts, or even a broadcast video sensor with B4 mount, then upgrade the camera in the future. The Blackmagic URSA EF model will retail for $5,995.

Blackmagic URSA is designed to be used on high end feature films, commercials, episodic television production, documentaries, electronic news gathering, music videos and more. When used on jobs with a large crew, customers can easily dress the camera with high quality cinema lenses, rails, follow focus, matte boxes and more. With built in scopes for exposure, focus and audio levels, built in dual recorders and the large 10 inch fold out on set monitor, customers can dramatically reduce on set equipment because it’s all built into the camera.

The Blackmagic URSA features a larger professional size that has the space for powerful cooling that allows higher frame rates while keeping the chassis cool and the fan quiet. The sleek futuristic machined aluminum design is incredibly strong and has been designed for large film crews while being able to be field upgraded to new sensors by the user. Each area of the camera has been divided into separate DOP, camera assistant and audio engineer work stations. The DOP station features a large 10 inch fold out on set monitor and separate 5 inch screen for settings, camera status and scopes. The camera assist station features a separate screen for camera settings, status and scopes and an audio station features audio meters, controls and audio connections.

Blackmagic URSA is a true professional digital film camera with a 4K sensor, global shutter and a wide 12 stops of dynamic range. The wide dynamic range is superior to regular video cameras or even high end broadcast cameras and results in dramatically better images that look like true digital film. The large Super 35 size sensor allows for creative shallow depth of field shooting and high resolution Ultra HD, 12 bit lossless compressed Cinema DNG RAW and Apple ProRes™ allow for easy post production workflow with minimum storage requirements.

The Blackmagic URSA features a modular camera turret that can be simply replaced by removing 4 simple bolts! The camera turret includes the sensor, lens mount and lens control connections and can be upgraded in the future when new types of sensors are developed. There are currently 4 models to choose from, URSA PL supports PL mount lenses and URSA EF supports EF mount lenses from Canon, Zeiss and more. Both of these models include the large Super 35 sized global shutter digital film sensor. The URSA Broadcast B4 model, available late 2014, features a broadcast video Ultra HD sensor and B4 lens mount used in broadcast. The URSA HDMI model has no sensor and its lens mount is replaced by a “cheese plate” of mounting points and a HDMI input, allowing any third party camera to get the benefit of the URSA camera body features.

“Our goal when developing the URSA was to build a camera that had all the cooling capacity for higher frame rates, and a large on set monitor as well as built in scopes so you had everything you need built into the camera itself. The problem with spending so much money building in such incredible accessories is that they become outdated as sensor technology moves on. So we designed the ability to upgrade the sensor so customers can simply bolt on a new sensor and turret assembly in the future!”, said Grant Petty, CEO, Blackmagic Design, “We think this is a revolution and this upgradable design means we have been able to put a lot more effort into the design of the camera body itself and the quality of the screens, recorders, cooling system and processing power than would normally be offered. The result is one of the most amazing television products I have ever seen!”

Blackmagic URSA PL and URSA EF Key Features

Large high resolution 4K Super 35 mm sized sensor with superior handing of image detail.
Professional global shutter for smooth pans and image motion.
Wide 12 stops of dynamic range allows capture of increased details for feature film look.
Compatible with extremely high quality PL or EF mount lenses.
User upgradable design allows customers to upgrade and change the sensor and lens mount.
Built in dual CFast 2.0 card recorders allow unlimited duration recording in high quality.
Open file formats compatible with popular NLE software, such as Apple ProRes and compressed CinemaDNG 12 bit RAW. No custom file formats.
Support for ProRes HQ, ProRes 422, ProRes LT, ProRes Proxy recording at resolutions up to Ultra HD.
Features all standard connections, including dual XLR mic/line audio inputs with phantom power, 6G-SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, 6G-SDI monitoring input, headphone jack, LANC remote control and standard 4 pin 12V DC power connection.
Built in stereo microphones for recording sound.
3 separate built in LCD monitors for camera settings and metadata entry. Large 10 inch screen folds out for full resolution HD monitoring with wide viewing angle and high brightness.
Supports Ultra HD and 1080 HD resolution capture in 23.98, 24, 25, 29.97, 30 up to 60 fps.
Features liquid cooling system allowing higher frame rates when future sensors support this feature.
Supports quick release tripod mounts and adding V-Mount and Anton/Bauer mount battery plates.

NAB 2014, Las Vegas, USA – April 7, 2014 – Blackmagic Design today announced Blackmagic Studio Camera, a new camera specifically designed for live production and available in 1080 HD and Ultra HD models.

Blackmagic Studio Camera is one of the most advanced broadcast cameras for live production because it includes features specifically targeted at the requirements of live production! Currently customers often need to use cameras designed for general video production for live work and this means they don’t get features that live production demands, such as large viewfinder, talkback, tally, optical fiber and a super strong metal design.

Inside the incredibly tough and lightweight magnesium alloy body, the Blackmagic Studio Camera features a very large 10” viewfinder, long duration 4 hour battery, talkback, tally indicators, phantom powered microphone connections and built in optical fiber and SDI connections that let you connect to a live production switcher with a single cable!

One of the problems of cameras used in live production is small viewfinders and the Blackmagic Studio Camera includes a massive 10 inch screen that allows incredible creativity when framing and accurately focussing. The viewfinder’s LCD is extremely bright and has a very wide viewing angle so it is perfect for use even in direct sunlight. The camera also includes a large fold up sun shield making it perfect for outdoor use and the sun shade also acts as a privacy shield when in use.

The Blackmagic Studio Camera features an active Micro Four Thirds lens mount that is compatible with an incredibly wide range of lenses and adapters. This allows customers to use high quality photo lenses for smaller setups or fixed camera use, and then use high end broadcast ENG lenses for large live broadcasts using an MFT to B4 lens mount adapter. This means customers can start out with a more affordable setup based on photo lenses and then move to larger but more expensive ENG lenses as they grow their business.

The Blackmagic Studio Camera includes a built in fiber optic connection, allowing customers to get the many advantages of long lengths and small size and weight of optical fiber for a single thin tether cable to connect cameras to your live production switchers. The optical fiber connection is bi-directional and carries HD or Ultra HD video with embedded audio, talkback, tally and even camera remote control. The built in talkback allows the camera operator and crew to communicate at all times during production using commonly available and very robust general aviation headsets for better quality talkback with better noise canceling at a much lower cost.

The Blackmagic Studio Camera supports the tally SDI standard used on the ATEM range of live production switchers and tally lights illuminate automatically with a light on the front for talent, and a light above the viewfinder for the operator, making it easy for the cast and crew to see which cameras are on air. To allow independent operation with only a single optical fiber cable, the Blackmagic Studio Camera also includes a massive 4 hour battery that means the camera has enough power for use on long live productions as well as setup time before the event starts. The operator side control panel allows instant access to focus, iris and on screen menu settings. On screen menus are overlaid on the viewfinder and slide on and off as needed.

“I have dreamed of a camera perfectly designed for live production for a long time”, said Grant Petty, CEO, Blackmagic Design, “When we looked at how we would design a camera for live production what really surprised us was how small we could make it, but then the viewfinder would also become small. We did not want a small viewfinder, we wanted a very large viewfinder and so we ended up with this amazing camera that’s incredibly tiny, but then the viewfinder is incredibly large. It’s really a dream to operate a camera with such a large viewfinder and it’s amazing the detail in focus and framing that’s available to the operator! I totally love this camera and it’s my dream product!”

Blackmagic Studio Camera Key Features

High resolution 1080HD in HD model and Ultra HD sized sensor in 4K model.
Built in large 10 inch super bright wide viewing angle LCD viewfinder with sun shade.
Built in optical fiber and regular SDI connections for camera output and monitoring input.
Compatible with high quality Micro Four Thirds lenses. Compatible with other mounts via common third party adapters such as B4 broadcast lens mount.
Built in, two way digital quality talkback using high quality affordable general aviation headsets.
Includes front and rear tally indicators using tally over SDI protocol.
Features all standard connections, including dual XLR balanced mic/line audio in with switchable phantom power, headphone and microphone jack for talkback, LANC remote control and standard 4 pin XLR broadcast standard DC 12V power connection.
On screen menus for all camera settings.
Supports 23.98, 24, 25, 29.97, 30 and up to 60 fps in HD model, up to 30 fps in 4K model.
Compatible with ATEM range of live production switchers.

Posted on April 9, 2014 by bevandally

Nikon D4S is Here

Camera Hire welcomes Nikon’s new Flagship DSLR, the D4S, to it’s extensive range of photography & videography equipment. Building upon the earlier pro cameras, the D4S builds upon what has made the full frame Nikon pro cameras great for many years and takes it to the next level. Incremental increases in speed, focusing, processing power and low light sensitivity make this the ultimate camera for a wide range of photo and video tasks. As the finest Nikon HDSLR yet, video quality is enhanced across the board, with the addition of a new 1920×1080 60fps mode & and a range of image resampling enhancements. For Nikon photographers, the D4S can let you shoot in a way that is not possible with any other camera, this is the ultimate in reactive, high speed photography.

Dominate the Decisive Moment, Again: The Nikon D4S HD-SLR is the Formidable Fusion of Speed and Accuracy

Nikon’s Flagship D-SLR is the Evolution of a Masterpiece, Reinforcing Nikon as the Choice of Pro Photographers and Multimedia Creators

MELVILLE, NY – Announced today, the new Nikon D4S establishes itself as the premier HD-SLR available to professionals; unrivaled with its combination of incredible speed, accuracy, low-light performance and exceptional image fidelity. Designed for the most demanding photographers and multimedia professionals in the world, the Nikon D4S improves upon the revered D4 to give users enhanced image and video quality, improved autofocus (AF), faster performance during and after capture in addition to an astonishing ISO range.

Nikon’s D series of flagship cameras continues to push the boundaries of professional image quality, speed and features. The newly developed 16.2-megapixel FX-format sensor works in conjunction with the new EXPEED 4 image processing engine to deliver new levels of still and HD video quality and performance. A new Group AF function and overall improvements build upon Nikon’s proven 51-point AF system, while the camera breaks convention with an ISO range that goes to an incredible 409,600 ISO (Hi-4) for maximum versatility in nearly any lighting condition. Overall speed and response is also enhanced, capturing full resolution at an astounding 11 frames-per-second (fps) with auto focus and auto exposure (AE), while benefiting from an overall 30% increase in processing power.

“By announcing the development of the new Nikon D4S earlier this year, Nikon has been able to work openly with professional photographers in the field to hone the cameras’ core capabilities into an unparalleled tool that makes otherwise impossible images a reality,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “The challenges of today’s professional multimedia photographer go beyond simply capturing amazing content. After the shutter clicks, the workflow enhancements that the D4S provides will give Nikon users an obvious edge in the stands, the studio, on the sidelines or in the field.”

Extreme Speed and Accuracy Give the Edge in the Field

Whether shooting extreme action sports or elusive wildlife, the Nikon D4S has been engineered to be the ultimate combination of speed and accuracy, giving photographers the power to capture even the fastest moving, unpredictable subjects with confidence and control. The proven Multi-CAM 3500 FX AF sensor module’s thoroughly recalibrated AF algorithms quickly zero in on its intended target— no matter how near, far, or abruptly a subject appears in the frame. Additionally, the D4S includes a new innovative Group AF mode. When selected, this mode utilizes five AF points to provide increased stability while tracking subjects, and enhanced accuracy by reducing instances of background focus. In situations where the background is bright with strong contrasting colors, photographers can now feel more confident, knowing that small, distant and fast-moving objects can be rendered sharper, faster and more frequently. Nikon’s AF Lock-on technology is also upgraded, shortening time in reverting from focus interruptions, such as a referee running into the frame.

Hundredths of a second can make the difference when capturing the decisive shot that graces the front page, the double-truck spread, or the client’s mantel. With this in mind, the Nikon D4S also improves tracking on high-speed continuous shooting at a blazing fast 11 fps, with continuous AF/AE. Because missing the shot is just not an option, Nikon’s EXPEED 4 plays an integral role in the D4S’ seemingly instantaneous response and swift performance, while enhancing energy efficiency. The camera now features a processing time that is a full 30% faster, in addition to a 200-shot buffer (JPEG) at full resolution at the maximum continuous mode.

As a proven flagship for the world’s most demanding photographers, the D4S retains the features that made its predecessor the professional’s choice in the first place. The Nikon D4S HD-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and a teleconverter with a combined aperture value up to f/8, a great advantage to those photographing sports and wildlife from extreme distances.

The Advantage of Superior Image Quality

At the core of the Nikon D4S is a newly developed 16.2-megapixel FX-format CMOS Sensor (36 x 23.9mm), engineered to deliver an immersive dynamic range, with exceptionally low noise. This newly developed image sensor works in tandem with the latest generation of Nikon’s powerful image processing engine, dubbed EXPEED 4, to bolster image quality, color and sharpness in both stills and video. The benefits of EXPEED 4 go well beyond high-speed image processing to provide evolved real time noise reduction, along with depth and clarity gradation rendering. The resulting images exhibit a wide tonal range, with true and faithful colors.

Thanks in part to the new EXPEED 4 processing engine, the Nikon D4S now shatters the perception of what’s possible with available light photography, giving users a native ISO range from 100-25,600 expandable from 50 ISO (Lo-1) to a staggering 409,600 ISO (Hi-4). This amazing ISO range rewrites the rulebook for available-light shooting, and is especially useful for professional sports shooters, photojournalists, as well as military and law enforcement agencies. The powerful EXPEED 4 image-processing engine incorporates an entirely new algorithm for even higher ISO noise reduction and color fidelity, resulting in an enhanced overall sharpness and clarity without sacrificing subtle textures and luminous details. The enhanced ISO is also a major advantage for other professionals including wedding and portrait photographers, who can now confidently capture the darkest reception, a candlelit ceremony, or create crisp studio portraits with flawless fidelity.

Other advanced Nikon technologies also contribute to the superior image quality of the Nikon D4S, including a new enhanced standard Picture Control tone curve that gives greater depth and clearer color rendition, especially on skin tones. For additional versatility, users have the ability to toggle Face Detect AF on or off while shooting through the viewfinder, and white balance calculation has been further refined for accuracy, while spot white balance is employed for easier presetting with more options.

Nikon’s exclusive 91,000-pixel RGB 3D Color Matrix Metering III system returns on the D4S to help capture true-to-life colors while solving the most challenging exposures, from sun-lit snow to stadium lighting. The system works by meticulously analyzing the variables within each scene and recognizing factors such as color and brightness values with unprecedented exactness. This data is then interpreted and compared against the camera’s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure.

Faster Workflow During and After Capture

While shooting speed and response matter in the moment, workflow speed has become increasingly important in a more competitive landscape. The D4S delivers upon the need for that speed with features that are engineered for today’s professional:

New RAW SIZE S files: In addition to shooting JPEG, full size RAW (NEF) and TIFF files, the Nikon D4S also has a new file setting to enhance workflow, RAW SIZE S. This setting allows for shooting 12-bit uncompressed Nikon NEF files that are approximately half the size (2464 x 1640) of standard uncompressed RAW files and are more easily manageable—speeding up the entire workflow process.

Faster transfer rate: When connected via LAN, users can now transmit files using Gigabit Ethernet (1000 Base-T LAN). This significant decrease in transfer times means more time to shoot, and less time transmitting files.

Improved battery life: Despite its processing power, the D4S is remarkably power-efficient. With the addition of a new EN-EL18a Lithium-Ion battery, the D4S can easily outlast the action with up 3,020 (CIPA rating) shots in single mode and 5,960 shots (Nikon testing) in continuous mode.

Dual card slots: The D4S uses both CF cards as well as the super-fast XQD card format to achieve the fastest possible transfer and write times.

Video Features Fit for the Modern Production Environment

With an increase in potent processing power, the D4S ups the ante when it comes to multimedia workflow and content capture. A versatile tool on location or on set, the D4S offers enhanced video quality and video-friendly features, in a compact and lightweight HD-SLR form factor. In addition to the innovative video attributes from the D4, the D4S offers the following new features:

Full HD video in variable frame rates: Users have the choice of various resolutions and frame rates, including a new 1080/60p option for increased flexibility in post. Users can also shoot at 1080 30p or a cinematic 24p, as well as various other NTSC and PAL frame rates and resolutions. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip.

Selectable image area: Users now have the ability to select an image area in Live View mode to match the glass or shooting style. To best suit the scene, FX, DX (1.5x) and 2.7x cropping is available.

Expanded ISO range for video and auto ISO control: D4S’ FX-format image sensor and EXPEED 4 work hand-in-hand to render a natural transition between bright and dark scenes, all while delivering rich tones, sharp edges and minimized noise, even at high ISOs. The D-Movie mode has a wide standard ISO range — from 200 to 25,600 to shoot in nearly any lighting. Furthermore, the ISO can be pushed up to an ISO 409,600 (Hi-4) equivalent. Additionally, D4S lets you maintain manual exposure for controlled shutter speeds and aperture settings while the camera automatically dictates the ISO maximum sensitivity from 400 to Hi-4. For assignments with dramatic shifts in lighting, this can be a remarkably useful tool.

Uncompressed 1080 60p: For the purest video quality, the D4S allows direct output of uncompressed files via HDMI. Output can be recorded to an optional outboard digital video recorder, making for an efficient editing workflow.

Manual control: Like the D4 HD-SLR, D4S offers full manual control when shooting video for maximum creative versatility.

Simultaneous recording: When recording to an external digital recorder via HDMI, the D4S can now simultaneously write to the CF or XQD card. This function is ideal for creating backups and recording while live-streaming content.

Improved sound: The range of audio frequency is now selectable, with options such as Wide Range and Voice Range. Wind noise reduction and audio levels can be changed during recording.

Smoother exposure transition during time-lapse and interval-time shooting: Creating breathtaking time-lapse movies is even easier with the D4S. The camera renders exposure transitions with unprecedented smoothness. Such scenes have been difficult to capture in manual or auto exposure mode, but now users can apply an auto exposure to achieve professional-grade time-lapse and interval-time shooting.

NIKKOR lens compatibility: The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 80 years. Nikon has a vast NIKKOR lens system, with more than 80 lenses including 65 FX-format lenses with a variety of focal lengths and features, including VR vibration reduction.

Pro Grade Construction and Controls

As a flagship camera for professionals, the D4S is engineered to excel in the world’s toughest environments, while giving pros the features needed to get the shot. The shutter has been tested to 400,000 cycles, and the camera chassis is constructed of lightweight and durable magnesium alloy. Additionally, the camera is sealed and gasketed from moisture, dust and electromagnetic interference to resist the elements.

While shooting, users will appreciate a slightly modified control layout and ergonomics for faster and more comfortable shooting. Subtle changes increase grip and comfort, making the camera easier to hold for a wider range of hand sizes and more comfortable during prolonged use. Photographers will also benefit from composing through a bright viewfinder with 100% coverage. The D4S also features a newly designed mirror-moving mechanism, which uniformly and effectively absorbs mirror slap to minimize viewfinder blackout time. Even at 11 fps, this innovation makes it easier to track a fast subject through the optical viewfinder.

The wide and bright high-resolution 921k dot, 3.2-inch LCD screen of the Nikon D4S lets users easily change menu settings, compose and review images. Photographers have the ability to customize the color of the LCD monitor to better match studio monitors or personal preference. Additionally, the LCD monitor retains its auto-brightness function that automatically adjusts the brightness of the monitor to increase visibility and conserve battery life.

Posted on March 12, 2014March 12, 2014 by bevandally

TV Logic Monitors added to Hire Inventory

Today Camera Hire’s range of monitors available for hire has been expanded to include the TV Logic range. These monitors have a reputation as being both robust and feature rich for professional applications, and will compliment our current range of Marshall, Small HD and Blackmagic monitors already in stock.

Since beginning in 2002, TVLogic has dedicated itself to developing and manufacturing the highest quality video monitoring systems available. These systems are suitable for professional broadcast, production and post-production applications, as well as being used for digital signage & multi-viewer situations.

Fast forward to now, and you’ll find TVLogic monitors among the world’s leading broadcast and professional monitor manufacturers. Their technology and innovative designs provide broadcast and production customers with reliable reference grade displays for the most demanding critical viewing applications.

Camera Hire’s range of TV Logic monitors available to rent include the TV Logic 5.6″ VFM-056WP monitor. With HDMI, HD-SDI and composite inputs, as well as HDMI to SDI conversion, this monitor is perfect for DSLR right up to high-end professional video cameras. The internal HDMI to SDI conversion enables you to run a second monitor from the split.

TV Logic LVM-182W 18.5" Monitor — The TV Logic LVM-182W 18.5″ Monitor

We also now offer the 18.5″ TV Logic LVM-182W broadcast grade monitor. This LCD monitor is ideal as a client or directors monitor, or for critical broadcast viewing. The LVM-182W offers a plethora of HDMI, 3G-HD-SDI, DVI and Composite inputs.

If you would like any further information on any of the TV Logic hire monitors we have in stock, please don’t hesitate to give us a call. If the monitor you require is not listed, please contact us, and we’ll do our best to order one in for you.

To see our full range of LCD and OLED monitors available for hire, please visit our Monitor Hire page.

Posted on February 10, 2014February 10, 2014 by bevandally

Opening Hours Extended for Camera Hire

Due to high demand, and our aim to provide outstanding customer service, we have decided to extend Camera Hire’s opening hours. As of February 2014, we will be open from 8am until 6pm, Monday to Friday, as well as 9am – 1pm on Saturdays. This will enable our customers to pick up hired equipment from our North Manly premises outside normal business hours.

Camera Hire’s new Opening Hours, from February 2014:

Monday – Friday	Saturday	Sunday
8am – 6pm	9am – 1pm	closed

Alongside the ability of customers to pick up from us, we also provide a same-day (approximately 3-hour) courier service within metropolitan Sydney. Many of our customers take advantage of this option when they are unable to pick up equipment, or for last-minute bookings. We can provide a quote for same-day courier over the phone if required.

Our overnight delivery service has also been expanded, with cheaper, fully insured delivery options available for those who reside anywhere within Australia. This can be a great options for those based on the outskirts of Sydney, or for customers who reside in other localities outside Sydney or even New South Wales. Camera Hire currently have customers from places such as Canberra and Newcastle, to Melbourne, Adelaide, the Gold Coast and Perth (not to mention the many smaller towns in between).

If you would like a quote for equipment hire, just let us know if you prefer to pick up or have the equipment delivered, and we would be more than happy to help. Either create an order through our shopping cart system, make an enquiry through the contact us page, or give us a call.