Revar Cine Rota Pola 4 x 5.65″ Rotating Circular Polarizer

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The Revar Cine Rota Pola is a geared 4×5.65″ rotating tray fitted with a 138mm circular polarizer. It lets an AC dial out reflections and glare from either side of the matte box without touching the filter.

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Description

The Revar Cine Rota Pola is a geared 4×5.65″ filter tray with a 138mm circular polarizer already mounted. It drops straight into a standard matte box. Instead of hand-turning a ring mid-take, the AC rotates it through 0.8 mod gears from either side. So the polarizing angle adjusts cleanly without disturbing the rig.

Built for geared, repeatable control

Gears run along both the operator and dumb side of the tray. Consequently, the AC can adjust the polarizer from whichever side is accessible on set.

A threaded 1/4-20 mounting point also accepts a wireless follow-focus motor. As a result, a focus puller can pull the angle remotely. This works even from a jib, crane, or any spot the AC can’t reach by hand.

Revar machines the tray itself from aircraft-grade aluminum and poly components, matched to the tolerances of current 4×5.65″ matte boxes. The tray handles constant swapping between setups all day rather than just sitting in a rental case.

A polarizer that holds up under scrutiny

The mounted filter is a mid-efficiency circular polarizer ground from Schott B270 glass with a broadband anti-reflective coating. It gives roughly 38% transmission, about 1.5 stops of light loss. That’s enough polarizing strength to cut reflections off water, glass, and car paint, or to deepen a sky. As a result, it does this without the heavier light penalty of a stronger polarizer.

Where it fits on a shoot

This is the tray to reach for whenever a scene has reflective surfaces in frame. Think shop windows, car exteriors, water, or glossy interiors. Without it, an unpolarized image reads too hot or too busy.

Because rotation is geared rather than hand-turned, the AC can fine-tune the effect shot-to-shot without breaking the rig down. So, this matters most on setups where the matte box stays locked off between takes.

Key features

  • 4×5.65″ geared tray with 138mm circular polarizer pre-mounted
  • 0.8 mod gears on both operator and dumb side for two-sided control
  • 1/4-20 threaded mount for a wireless follow-focus motor
  • Schott B270 glass polarizer, broadband AR coating, approx. 38% transmission (1.5 stops)
  • Aircraft-grade aluminum and poly construction, made in the USA
  • Fits Arri LMB 4×5, Bright Tangerine Kick, Tilta T12, O’Connor O-Box, Wooden Camera UMB-1, Chrosziel 400 series
Format4 x 5.65″ geared rotating tray
Filter138mm circular polarizer, Schott B270 glass, broadband anti-reflective coating
Transmissionapprox. 38% (approx. 1.5 stops of light loss)
Gearsdual 0.8 mod gears, operator and dumb side
Remote control1/4-20 threaded mount for wireless follow-focus motor
Constructionaircraft-grade aluminum frame with poly components, made in the USA
Compatible matte boxesArri LMB 4×5, Bright Tangerine Kick, Tilta T12, O’Connor O-Box, Wooden Camera UMB-1, Chrosziel 400 series
Not compatible withBright Tangerine VIV, Tilta T04, Wooden Camera Zip Box Pro

Download Spec Sheet (PDF)